- Specimen book for Buddy August 24, 2010
- New release! Buddy: the sans companion to Contenu August 24, 2010
- Classes mess up Opentype Glyph generation August 9, 2010
- A history of the alphabet August 9, 2010
- Going after the look of old fonts? Not likely August 7, 2010
Category: Announcements
Step 3 – Learn « The Digital Christian.
This is from a blog about using social media to minister. This is an area fraught with problems and issues, but one that you should know about. This posting has some good links to get you started if you are seriously interested.
This is an excerpt from my new book, “Finding the Power to Believe”.
Philippians Verse 2:12
“Therefore, as you have always obeyed, not only when I was there but also now that I am not, work out your salvation in deep reverence and careful caution” [MVP]
This is serious stuff. You need to be on guard, watching and cooperating with the Lord. It is a work—it doesn’t just happen magically overnight. It will take you the rest of your time here on the planet.
One of the major things you need to understand is that your salvation is a process. While it is true that people who accept Jesus on their death bed will make it to heaven. It is equally true that they will make it by the skin of their teeth and have no rewards built up.
Now these rewards are not something we earn. They are something we allow Jesus to do in us. Nevertheless they are real. Jesus explained this in the parable of the talents (among other places). You know the story. A man went on a trip (like the one Jesus is on now, seated at the right hand of the Father waiting for the time to bring us home with Him). Before he left, he gave each of his servants different talents.
This is like what we have been given when we are born.
We all have different talents. And we are all expected to do something with those talents. When the master came back he demanded an accounting.
The man with many talents had doubled his wealth. The master praised him and said, “you have been faithful in much and I will put you in charge of many things.
The slave who had been given few was told, “You Ave been faithful in few things. I will put you in charge of many things.” In other words, this slave had few talents, but he got the same reward as the slave with many talents. The goal was not how much wealth you acquire, but how faithful you were to be a good steward of what you were given.
However, for the slave with very few talents, who became terrified of the master and buried his talent (seemingly so he wouldn’t loose it) incurred the wrath of the master. He was told that just putting it in the bank to earn interest would have been acceptable.
But because he was too afraid to do anything and showed his lack of trust in the master (no faith), the following was told to him. Matthew 25: 28–30
“Then the master ordered, ‘Take the talent from this servant, and give it to the one with the ten talents. To those who are faithful in what they are given (db: whether they are given a little or a lot), even more will be given, and they will have an abundance. But from those who do nothing, even what little they have will be taken away. Now throw this useless slave into outer darkness, where there will be weeping and gnashing of teeth.’” [MVP]
It certainly looks like this is serious. Hiding your talents in fear—not working on your salvation—never doing what is necessary to grow in wisdom and stature in the Lord is an attitude showing lack of faith and can forfeit your salvation. I certainly do not want to be labeled a useless servant tossed out of the master’s household. Of course, this is a radical interpretation on my part. But how else can we read this? Working out your salvation is a serious and fearful (reverent) thing.
“Finally!” is the name of the book. It finally happens and He comes back. Everyone is surprised.
FREE SUMMER SHIPPING ENDS AUGUST 23
Get Finally! with free shipping.
http://www.lulu.com/product/11915967?cid=081610_en_email_FREESHIPFORWARD
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To qualify for Lulu FREE Summer Shipping, your cart has to total at
least $19.95 in printed book merchandise, but that total excludes
taxes. Since the US Postal Service will deliver your order, we can
only offer FREE Summer Shipping to valid US delivery addresses. We
can also ship to APO/FPO addresses, but just make sure you use a
valid US zip code with your order. Unfortunately, FREE Summer
Shipping can’t be combined with any other promotional codes at this
time. While we don’t have any plans, desires, intentions or wishes
to do so, we can change or discontinue Lulu FREE Summer Shipping at
anytime. Maximum discount of $19.95. This offer ends on August 23,
2010 at 11:59PM so try not to miss out! Please note that shipping
methods are limited within this promotion.
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I thought I’d give a discount for my political thriller. This is the story of what could really happen if the drug cartels go political in Chihuahua. Aztlan is a favored myth of the Southwest. The idea is that Northern Mexico and Southwestern United Startes were illegally taken and should be on independent nation.
In the Rise of Aztlan this happens. It’s a fun ride.
If you go to Smashwords and use this coupon code VQ87V You can buy the novel for only $.99
Please write a review, thanks
Surveillance: two rare glimpses into whos watching you, and how.
Walk in the light, and it’ll be all right!
Announcing this all over
You may have seen this already, but it is a major piece of work and probably my most mature and sophisticated set of font designs yet. I finally broke down and spaced them for body copy—so they will work well at text sizes [from 9-point to 12-point] without the need to fiddle with the spacing. The design is a contemporary take on oldstyle serif typefaces using Jenson as the mask. The roots of this design go back to Minister which Monotype says has Garalde influence.
It is very conservative for me. I even went to a small bowl on the lowercase a. What’s the world coming to?
No, this is not a step by step. It’s a discussion of the realities of dealing with publishing in the second decade of the 21st century. Specifically, I want to talk about dealing with graphically intensive books in multiple channels.
One of the Linked-In groups I’m in has been debating the role of XML in “future-proofing” documents. They are mainly coming from employment at large publishing houses with hundreds or thousands of legacy books—many from before the e-reader age, many from before the digital age entirely. That’s not what I am talking about either.
This is redesign not conversion
That’s the first thing you need to accept—like it or not. There is no way to convert a typographically excellent, graphically intensive book from PDF to ePub. There are too many limitations with ePub. Here’s a list of the things you’ll need to get rid of as you make the conversion:
- Fonts: All you have to work with are a limited portion of the originally limited Web palette of fonts
- Vector graphics: at this point you need to convert everything to JPEG.
- Anchored graphics: Everything must be inline.
- Columns: This is all single column stuff.
- Nested styles: You’ll need to hand format run-in heads with character styles
- Styles in general: Depending on who you use to distribute your masterpiece, you’ll probably need to convert to the H1-6, p, ol, ul choices of HTML [I'm thinking Kindle here].
It’ s a very different way of thinking
I keep on hearing that some types of books will not convert. That’s not true. What is true is that some designers are not willing to work within the given limitations as we wait for our options to improve. For one of my new bloggin acquaintances, I made a couple of comparison pieces [PDF vs. ePub] this morning. I thought you might want to take a look and see what I had to change. Yes, the ePub version is hideous. But, it is selling as well as the PDF version—though the printed version is still outselling both.
The PDF sample • The ePub sample
Does this miss the mark for you?
What experiences are you having that suggest my choices are bad or wrong?
As we go through the hype of eBooks, how many do we really want to buy? What I want is an excellent reader that lets me rent books, sorta like on the NetFlix model. Here’s a link to an excellent article that talks about this from a conceptual view. I’d never thought about why I haven’t bothered to buy my iPad yet (other than lack of sufficient extra money laying around).
It’s not the device or the file—it’s the internet, stupid!
One of the interesting things about the new paradigm of publishing is the lack of exclusivity. As I publish works for Radiqx and clients, I am continually struck by how many places I normally release things. My norm now is to start with Lulu, then do a Createspace version, then make an html version for Kindle, then a Word version for Smashwords, an ePUB version on Lulu for iPad, a PDF of one of the versions for Scribd, and others yet to be discovered.
Part of this is to see what sells and who checks it out, and what action develops. This is all in flux as far as I can see. So far, Amazon are doing the best [both CreateSpace, and Kindle], closely followed by Lulu—but these results are changing weekly. As far as traffic is concerned, Scribd seems to do the best. But, Smashwords has more people checking out samples. It is a real interesting mix. As far as I am concerned, it is much more interesting than my old relationships with a giant publisher back East somewhere.
It takes constant redesigning
This is where InDesign and the Creative Suite 5 in general, really shine. InDesign CS5 has really helped out the workflow. Some sites require separate insides and covers (Lulu & CreateSpace), some require HTML (Kindle), some require ePUB (iPad), some require Word (Smashwords), some work best with PDF (Scribd). They all take specialized designs. However, with layout adjustment turned on and a complete set of styles (paragraph and character) set up, all of this goes relatively quickly.
Of course, “they” all say you must get into the code. But you should know of my code challenge by now. If it requires code [beyond HTML and CSS], I’m not going to do it. My hope (and constant feature request) is that some app in CS6 will enable me to drop the need to be constantly playing with HTML and CSS also. Already, I am using Dreamweaver CS5′s CSS dialog boxes to edit my CSS—even for my WordPress templates.
It’s a brave new world
I’m really having fun learning to work in this new world. I’m gradually finding friends and sources of help. Liz Castro and Joel Friedlander regularly offer good advice on their blogs, for example. It’s really going to be interesting to see where it all goes from here.
