- Specimen book for Buddy August 24, 2010
- New release! Buddy: the sans companion to Contenu August 24, 2010
- Classes mess up Opentype Glyph generation August 9, 2010
- A history of the alphabet August 9, 2010
- Going after the look of old fonts? Not likely August 7, 2010
Announcing this all over
You may have seen this already, but it is a major piece of work and probably my most mature and sophisticated set of font designs yet. I finally broke down and spaced them for body copy—so they will work well at text sizes [from 9-point to 12-point] without the need to fiddle with the spacing. The design is a contemporary take on oldstyle serif typefaces using Jenson as the mask. The roots of this design go back to Minister which Monotype says has Garalde influence.
It is very conservative for me. I even went to a small bowl on the lowercase a. What’s the world coming to?
No, this is not a step by step. It’s a discussion of the realities of dealing with publishing in the second decade of the 21st century. Specifically, I want to talk about dealing with graphically intensive books in multiple channels.
One of the Linked-In groups I’m in has been debating the role of XML in “future-proofing” documents. They are mainly coming from employment at large publishing houses with hundreds or thousands of legacy books—many from before the e-reader age, many from before the digital age entirely. That’s not what I am talking about either.
This is redesign not conversion
That’s the first thing you need to accept—like it or not. There is no way to convert a typographically excellent, graphically intensive book from PDF to ePub. There are too many limitations with ePub. Here’s a list of the things you’ll need to get rid of as you make the conversion:
- Fonts: All you have to work with are a limited portion of the originally limited Web palette of fonts
- Vector graphics: at this point you need to convert everything to JPEG.
- Anchored graphics: Everything must be inline.
- Columns: This is all single column stuff.
- Nested styles: You’ll need to hand format run-in heads with character styles
- Styles in general: Depending on who you use to distribute your masterpiece, you’ll probably need to convert to the H1-6, p, ol, ul choices of HTML [I'm thinking Kindle here].
It’ s a very different way of thinking
I keep on hearing that some types of books will not convert. That’s not true. What is true is that some designers are not willing to work within the given limitations as we wait for our options to improve. For one of my new bloggin acquaintances, I made a couple of comparison pieces [PDF vs. ePub] this morning. I thought you might want to take a look and see what I had to change. Yes, the ePub version is hideous. But, it is selling as well as the PDF version—though the printed version is still outselling both.
The PDF sample • The ePub sample
Does this miss the mark for you?
What experiences are you having that suggest my choices are bad or wrong?
One of the interesting things about the new paradigm of publishing is the lack of exclusivity. As I publish works for Radiqx and clients, I am continually struck by how many places I normally release things. My norm now is to start with Lulu, then do a Createspace version, then make an html version for Kindle, then a Word version for Smashwords, an ePUB version on Lulu for iPad, a PDF of one of the versions for Scribd, and others yet to be discovered.
Part of this is to see what sells and who checks it out, and what action develops. This is all in flux as far as I can see. So far, Amazon are doing the best [both CreateSpace, and Kindle], closely followed by Lulu—but these results are changing weekly. As far as traffic is concerned, Scribd seems to do the best. But, Smashwords has more people checking out samples. It is a real interesting mix. As far as I am concerned, it is much more interesting than my old relationships with a giant publisher back East somewhere.
It takes constant redesigning
This is where InDesign and the Creative Suite 5 in general, really shine. InDesign CS5 has really helped out the workflow. Some sites require separate insides and covers (Lulu & CreateSpace), some require HTML (Kindle), some require ePUB (iPad), some require Word (Smashwords), some work best with PDF (Scribd). They all take specialized designs. However, with layout adjustment turned on and a complete set of styles (paragraph and character) set up, all of this goes relatively quickly.
Of course, “they” all say you must get into the code. But you should know of my code challenge by now. If it requires code [beyond HTML and CSS], I’m not going to do it. My hope (and constant feature request) is that some app in CS6 will enable me to drop the need to be constantly playing with HTML and CSS also. Already, I am using Dreamweaver CS5′s CSS dialog boxes to edit my CSS—even for my WordPress templates.
It’s a brave new world
I’m really having fun learning to work in this new world. I’m gradually finding friends and sources of help. Liz Castro and Joel Friedlander regularly offer good advice on their blogs, for example. It’s really going to be interesting to see where it all goes from here.
It really helps production efficiency and speed.
Great find! Command+Arrow Key on selected pieces moves 100 units
This shows my ignorance of things like this, but I just discovered a great shortcut built into FontLab. As I have mentioned many times, moving selections right or left is a constant thing—especially while building composite glyphs and letterspacing a new font. One of my irritations over the years has been the internal debate over whether it is more efficient to move components with multiple shift+right arrows or to go to the mouse and shift+drag. I’ve used both over the years, but they are both frustrating.
Again to review, the arrow key moves one unit and the shift+arrow key moves ten units. I just accidently found that the Command+arrow moves the selection 100 units. What a great timesaver!
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As I get ramped up to submit my new novel to publishers (and enter it in the Amazon Breakthrough Novel Award), it has become increasingly obvious that I need a separate site for my fiction. So I resurrected my old domain bergsland.org and converted it to Bergsland Books. http://bergsland.org
It’s up and running with some simple stuff for Black Sail: a Christian covert ops company. The intent is to keep it current with the book as it develops.This is the group of people who serve as the focus of my first novel ready to release—Black Sail: Aztlan! I have yet to find a publisher yet. but I will let you know as soon as that happens.
it’s been a surprising year. I never would have expected to be forced into going into what the government calls retirement. That has been a huge adjustment.
For a man, retirement is close to what housewives experience if circumstances keep them from being able to clean their home. it attacks the core of our being. I have been amazed at how much of my self identity is tied up in what I do.
On the other hand, it has been a joy to get back into personal creative endeavors. I’ve designed dozens of items for the Radiqx Zazzle site (buper stickers are doing well so far). I’m getting ready to release my first novel. I find it is a much better escape to write the novels I read. It’s not as much fun as the new Baldacci, Clancy (if we ever see one of those again), Cussler, de Brul, Dale Brown, Brad Thor, Daniel silva, W.E.B. Griffin, or any of the other authors I love to read. But the involvement is incredible and the ability to create new realities is really fun. I think you’ll find it a good read.
On-demand Publishing
I’m still focused on this for several reasons.
- My lack of capital makes it the only real choice
- it keeps works available to limited audiences like those of you who follow what I am doing
- It allows me to easily generate multiple versions of a work with no additional expense
- It allows me to generate eBooks which seem to growing incredibly fast in use
However, it’s hard to be competitive on-demand. The book prices are higher (at least for mass-driven competition). The printing options are much more limited.
It is greatly ramping up my skills at book design, though. That I really like. There is still nothing ( to me) like the feel of a new book and a potentially good read. i realize that this is becoming a lost art to many of the young. But I’m not sure how well Kindle, Nook, and the others will hold out in the long run. How comfortable are they to use? If you have one, I’d love to hear your opinions. Amazon just announced agin that Kindle is their best-selling product of any type in their entire company. Nook is already sold out and demand is outstripping production. Clearly, people want something like this.
I guess when my ship comes in, I’ll get one.
I hope you all have a wonderful holiday season.
Adding anchored objects can be a little tedious. One of the most painful aspects of making anchored frames to hold illustrations, sidebar notes, or headlines is the tediousness of the repetitive filling out of the anchored object dialog box.
The simple solution is to make those settings in an object style.
Then all you do is place the object as an inline graphic and hit the shortcut to convert it to an anchored object and to offset it where you need it. Or place it, hit the shortcut and then insert it into the text where you need it. It will automatically be anchored and offset as you designed it.
Let’s make a style to automatically offset a frame into the sidebar area next to the column on a single column page
Make a new Object style with all the options turned off . Turn on Anchored Object and set it up like you see below. We’re assuming a four-inch column on a 7.5″ wide page. You can adjust to fit your page size.
Basic settings for an anchored object
TIP: Once you have your anchored style set up the way you like, save the document you are working on.
Then close all documents and go to the Object Styles palette (with no document open). Choose Load Object Styles… from the Option Menu and add the new object style from the document you just saved and closed. Close InDesign and reopen it to save your new application default.
From then on, all new documents will have this style available. In most cases, all you will have to do it modify the offsets to make it work for any new project.
Believe me, you’ll use this (or your version of it) a lot!
The other day I went through a common scenario> I had a 408 page book set up at 6×9. I found out that I needed it formatted to 4.25″ x 6.88″ for a different printer. How long do you think it took me? It became a 540 page book.
It took less than an hour.
How did it go so quickly?
Everything was formatted with styles including all the graphics. The graphics were all formatted as anchored graphics and object styles.
That hour included checking every page for orphans and widows and fixing all of them. That meant eliminating all paragraph fragments of two lines or less and all paragraph ending sentence fragments of two and a partial word or less.
The procedure
- Turn on Layout Adjustment… under the Layout menu in InDesign
- Change the page size in Document setup… under the file menu
- Change the margins in Margins and Columns… under the Layout menu
- Adjust the paragraph styles, character styles, and object styles
- Proof new layout from page 1 to the end eliminating orphans and widows
Like I said, it took less than a hour to convert a 540 page book. It was really fun. Yes, it was a novel we’re publishing for a new author in Peralta, New Mexico. But it doesn’t take much longer for a graphically intensive book like Practical Font Design.
Some of you may have heard: David’s retired from teaching and is now focusing on font design. He already has an apprentice with more making plans to join the foundry. Obviously, it was time for some changes.
The name comes from a huge hackberry tree on the boulevard outside the front door of the foundry. As they add workers Hackberry fonts will be offering fonts from a variety of people. Radiqx is looking forward to the future developments.
The address of the Website is http://www.hackberry-fonts.com
A new font foundry focused on fonts for book design